This is an old time tune that i used to play with Jason Spooner. We’d usually lump it together with ring of fire. I recorded this whole thing in Mexico and i played bass, guitar, and sang.
DIG THE CHOP! HI-YA!
WON’T GET DRUNK NO MORE!
This is an old time tune that i used to play with Jason Spooner. We’d usually lump it together with ring of fire. I recorded this whole thing in Mexico and i played bass, guitar, and sang.
DIG THE CHOP! HI-YA!
WON’T GET DRUNK NO MORE!
This tune was originally written for a jazz combo that i played in while in school. The original instrumentation was violin, 3 saxophones, bass and drums. That was a great group and i wrote a few tunes that we played.
This version was recorded in Portland and i played all 4 bass parts. Yes, that’s right, it’s a bass quartet. You may or may not find it interesting to note the “chop” backup during the solo section.
I wrote this song while in Mexico and it was recorded there too. I played the guitar, bass and sang. There are actually 3 bass parts at the end.
Don’t worry if the lyrics don’t make 100% sense, they will in time.
This is the super jazzy one. Yee haw!
This is just my Columbian friend, Edgar Abril, and myself laying it down in real time. No overdubs. I trimmed this down from it’s original long version.
I only hung out with Edgar for about 3 months or so. We met in PV at Cuates Y Cuetes at their monday night jam session. He’s 20 and reminds me of my old friend Dave Adams. He’s very talented and super hungry for more info. I recognized him as someone i wanted to play with for that reason. that kind of fire is just totally contagious. He’s a super guy too. He’s now playing on a cruise ship and will probably end up in the States sometime soon.
I hope that we meet up again in the future.
The oldest original song in this collection, i wrote this one while living in Nashville. Probably 1997 or 1998.
I did this one entirely in Mexico. I played the eminence bass(plucked and chopped,) guitar, mando, voice and Bob Hamilton lent his talents to this endeavor once again wherever you hear awesome guitar parts.
I remember being in the bathroom writing these lyrics. I had a touch of the old insomnia and so i had retreated to the bathroom so i wouldn’t wake anyone up. the cat was in there and he inspired the opening lines and the rest just came from there.
It’s about my western mind’s struggle to achieve mindfulness.
I have trouble sleeping. This super short solo bass piece is about that. If i played this over and over again, that’s kind of what some nights are like for me.
I recorded this in a garage in maine. I think it was the spring.
Gotta love the blues. This is a 16-bar blues and Kirsten’s favorite song of mine. I think any girl who digs the blues is probably a keeper.
I played some piano, mando, upright bass, drums and voice on this one. Bob Hamilton once again fills in the blanks for me with his kickass guitar mojo.
I recorded most of this in the attic of my Portland apartment with the exception of the piano that i recorded at the Tony Boffa School of Contemporary Music and Bob’s guitar, which was done in Mexico.